Two brothers from Wales on a stag night return to a small village in Donegal where they spent a working holiday 16 years previously. There they bump in to an old flame and a series of mishaps and misunderstandings reignite old passions and throw their lives into confusion.

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

Anticipating eviction from her retirement home after the death of her son and sole provider, rebellious septuagenarian Émilie decides to take revenge on all those who have wronged her. During her journey of initiation, she cuts to the quick to right the wrongs and is joined by Linda, a cleaning lady with whom she has forged a close bond. She, too, has nothing left to lose and decides to wage war against those who have scorned her. Soon, these two companions are hunted down by a pair of policemen.

A news special presented by MTV that brings awareness to social concerns facing the youth in America and provide in-depth research an analysis of these issues.

A mother-daughter relationship comes to an abrupt end when the mother one day tells that she no longer wants them to have contact. We follow them through what will be their last conversation.

When a boy is framed after an act of senseless violence by his friends, they turn against him for trying to tell the truth.

While researching a class assignment, Ashley, a disillusioned college student crosses paths with Erika, a quiet librarian, and is drawn into the decades-old fight for Japanese American redress and the story of a lawyer who must find the courage to testify in order to help heal a community--and himself.

A person finds a magical fish, wishes for "it all" and learns a lesson about when enough is enough.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.